Exodus Chapter 38
So he put together the altar for burnt offerings from shittim wood, measuring five cubits long, five cubits wide, and three cubits tall. Straight up square vibes.
And he made the altar of burnt offering {of} shittim wood: five cubits {was} the length thereof, and five cubits the breadth thereof; {it was} foursquare; and three cubits the height thereof.
He threw on horns at every corner, all matching, and laid it down with brass. Total flex.
And he made the horns thereof on the four corners of it; the horns thereof were of the same: and he overlaid it with brass.
Crafted all the altar gear like pots, shovels, basins, fleshhooks, and firepans, all in brass. That’s seriously bussin’.
And he made all the vessels of the altar, the pots, and the shovels, and the basons, {and} the fleshhooks, and the firepans: all the vessels thereof made he {of} brass.
He created a brass grate for the altar, kinda like a sick network underneath.
And he made for the altar a brasen grate of network under the compass thereof beneath unto the midst of it.
Four rings got added at the ends of the grate for the staves. Smart move, no cap.
And he cast four rings for the four ends of the grate of brass, {to be} places for the staves.
The staves were made from shittim wood and covered in brass. Rizz on point.
And he made the staves {of} shittim wood, and overlaid them with brass.
He slipped the staves into the rings on the altar sides to move it; the altar was hollow with boards. Savage design.
And he put the staves into the rings on the sides of the altar, to bear it withal; he made the altar hollow with boards.
He made the laver and its foot from brass sourced from the mirrors of the ladies hangin' at the tabernacle door.
And he made the laver {of} brass, and the foot of it {of} brass, of the lookingglasses of {the women} assembling, which assembled {at} the door of the tabernacle of the congregation. {lookingglasses: or, brasen glasses} {assembling: Heb. assembling by troops}
Built the court with slick linen hangings on the south side, a hundred cubits long. Major aesthetic.
And he made the court: on the south side southward the hangings of the court {were of} fine twined linen, an hundred cubits:
There were twenty pillars and twenty brass sockets; hooks and fillets were silver. Total glow-up.
Their pillars {were} twenty, and their brasen sockets twenty; the hooks of the pillars and their fillets {were of} silver.
For the north side, the vibes were also a hundred cubits, featuring twenty pillars flexin' with their brass sockets, no cap. The hooks and fillets were all silver, lit.
And for the north side {the hangings were} an hundred cubits, their pillars {were} twenty, and their sockets of brass twenty; the hooks of the pillars and their fillets {of} silver.
The west side was chillin' at fifty cubits, ten pillars, and ten sockets; hooks and fillets? Yep, all silver, periodt.
And for the west side {were} hangings of fifty cubits, their pillars ten, and their sockets ten; the hooks of the pillars and their fillets {of} silver.
East side? Just a straight fifty cubits, no cap.
And for the east side eastward fifty cubits.
The hangings by the gate on one side were fifteen cubits tall; three pillars and three sockets, just vibing.
The hangings of the one side {of the gate were} fifteen cubits; their pillars three, and their sockets three.
The opposite side of the court gate had the same setup: fifteen cubits, three pillars, and three sockets, savage.
And for the other side of the court gate, on this hand and that hand, {were} hangings of fifteen cubits; their pillars three, and their sockets three.
All the surrounds of the court were crafted from fine twined linen, and they were bussin'.
All the hangings of the court round about {were} of fine twined linen.
The sockets for the pillars? Brass, fam. Hooks and fillets were silver, and the tops were all silver too; pillars were flexin' with silver vibes.
And the sockets for the pillars {were of} brass; the hooks of the pillars and their fillets {of} silver; and the overlaying of their chapiters {of} silver; and all the pillars of the court {were} filleted with silver.
The gate hanging was needlework, all blue, purple, and scarlet, with fine linen; twenty cubits long and five cubits high, matching the court hangings, fr.
And the hanging for the gate of the court {was} needlework, {of} blue, and purple, and scarlet, and fine twined linen: and twenty cubits {was} the length, and the height in the breadth {was} five cubits, answerable to the hangings of the court.
Four pillars holding it down, with four brass sockets; hooks were silver, and the tops and fillets were silver too, no cap.
And their pillars {were} four, and their sockets {of} brass four; their hooks {of} silver, and the overlaying of their chapiters and their fillets {of} silver.
All the pins for the tabernacle and the court surrounding it were straight brass, lit.
And all the pins of the tabernacle, and of the court round about, {were of} brass.
This is the entire vibe of the tabernacle, like, it’s the testimony, counted up just as Moses said, for the Levites, handled by Ithamar, Aaron's guy.
This is the sum of the tabernacle, {even} of the tabernacle of testimony, as it was counted, according to the commandment of Moses, {for} the service of the Levites, by the hand of Ithamar, son to Aaron the priest.
Bezaleel, Uri's son from Judah, crafted everything the Lord told Moses to handle.
And Bezaleel the son of Uri, the son of Hur, of the tribe of Judah, made all that the LORD commanded Moses.
Aholiab, Ahisamach's kid from Dan, was right there with him—mad skilled engraver and embroiderer in blue, purple, and scarlet.
And with him {was} Aholiab, son of Ahisamach, of the tribe of Dan, an engraver, and a cunning workman, and an embroiderer in blue, and in purple, and in scarlet, and fine linen.
All the gold used for the holy place stacked up to 29 talents and 730 shekels, no cap, based on the sanctuary shekel.
All the gold that was occupied for the work in all the work of the holy {place}, even the gold of the offering, was twenty and nine talents, and seven hundred and thirty shekels, after the shekel of the sanctuary.
The silver from the counted peeps came to 100 talents and 1,775 shekels, again, after the sanctuary shekel.
And the silver of them that were numbered of the congregation {was} an hundred talents, and a thousand seven hundred and threescore and fifteen shekels, after the shekel of the sanctuary:
A bekah for each person, that’s half a shekel, for everyone counted, 20 years and older, totaling 603,550 dudes.
A bekah for every man, {that is}, half a shekel, after the shekel of the sanctuary, for every one that went to be numbered, from twenty years old and upward, for six hundred thousand and three thousand and five hundred and fifty {men}. {every man: Heb. a poll}
From the 100 talents of silver, they crafted the sockets for the sanctuary and the veil, 100 sockets, one talent each.
And of the hundred talents of silver were cast the sockets of the sanctuary, and the sockets of the vail; an hundred sockets of the hundred talents, a talent for a socket.
Using 1,775 shekels, he crafted hooks for the pillars and decked them out.
And of the thousand seven hundred seventy and five shekels he made hooks for the pillars, and overlaid their chapiters, and filleted them.
The bronze offering hit 70 talents and 2,400 shekels, straight up.
And the brass of the offering {was} seventy talents, and two thousand and four hundred shekels.
He used that to make the door sockets for the tabernacle, the bronze altar, its grate, and all the altar gear.
And therewith he made the sockets to the door of the tabernacle of the congregation, and the brasen altar, and the brasen grate for it, and all the vessels of the altar,
The court's got those sockets all around, plus the gate sockets, and all the pins for the tabernacle and the court. It's all vibin' together.
And the sockets of the court round about, and the sockets of the court gate, and all the pins of the tabernacle, and all the pins of the court round about.